Ed Helms as Tim Lippe in CEDAR RAPIDS. Photo Credit: Zade Rosenthal. TM and © 2010 Twentieth Century Fox Film Corporation. “Smooth Out" Written and Performed by Darius Holbert Courtesy of 82music "Angels of Destruction" Written by David and Serge Bielanko Performed by Marah Courtesy of Yep Roc Records By arrangement with Ocean Park Music Group "Wild Mountain Nation" Written by Eric Earley Performed by Blitzen Trapper Courtesy of Lidkercow Records By arrangement with Terrorbird Media "Sisters of the Road" Written by Rayna Gellert Performed by Uncle Earl Courtesy of Rounder Records "Graycoated Morning" Written by David Fridlund Performed by David & The Citizens Courtesy of Friendly Fire Recordings By arrangement with Terrorbird Media "Hot Line" Written by Frederick J. Perren and Keni St. Lewis Performed by The Sylvers Courtesy of Capitol Records Under license from EMI Film & Television Music "Son The Father" Written and Performed by F***ed Up Courtesy of Matador Records "One Night In Paradise" Written and Performed by Jake Monaco “Big Noise From Winnetka" Written by Bob Crosby, Gil Rodin, Ray Bauduc and Robert Haggart Performed by Bob Crosby & His Orchestra Courtesy of Geffen Records Under license from Universal Music Enterprises "Unless It's Kicks" Written by Will Robinson Sheff Performed by Okkervil River Courtesy of Jagjaguwar By arrangement with Bank Robber Music "Life Is A Song" Written and Performed by Patrick Park Courtesy of Curb Appeal Records By arrangement with Bank Robber Music "Dans Les Temps" Written and Performed by Charles Burbank Courtesy of LoveCat Music "Nothing Really Blue" Written by Simon Harry Piers Jeffes Performed by Penguin Café Orchestra Courtesy of Editions Penguin Café Limited "Radar Love" Written by Barry Hay and George Kooymans Performed by Golden Earring Courtesy of Geffen Records Under license from Universal Music Enterprises and Red Bullet Productions "Happy Home" Written and Performed by The F***ing Eagles Courtesy of Gaptooth Jukebox Records "U Got The Look" Written by Jake Latakas Orrall and Jamin Williams Orrall Performed by JEFF The Brotherhood Courtesy of Infinity Cat Recordings CHRISTOPHE BECK (Music By) has scored, in an unprecedented short time span, numerous films in virtually every genre. His talent is evident in a wide-range of features from the classic teen comedy BRING IT ON and the best-selling novel film adaptation UNDER THE TUSCAN SUN, to the highest grossing R-rated comedy of all time, THE HANGOVER. Beck's recent credits include WHAT HAPPENS IN VEGAS, FRED CLAUS, LICENSE TO WED, CHARLIE BARTLETT, THE SEEKER, YEAR OF THE DOG, WE ARE MARSHALL, SCHOOL FOR SCOUNDRELS, THE PINK PANTHER AND THE PINK PANTHER 2, POST GRAD, HOT TUB TIME MACHINE, PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF, DEATH AT A FUNERAL, DATE NIGHT and RED. Beck's road to film scoring was circuitous. The Montreal native started piano lessons at five and by eleven he was writing music for his first-ever band, Chris and The Cupcakes. During high school he studied flute, saxophone, trombone & drums, and performed in rock bands. While studying music at Yale, Beck had an epiphany: "I discovered my talent for composing was far greater than my talent for performing." He wrote two musicals with his brother Jason (a.k.a. Chilly Gonzales, the Berlin-based hip-hop recording artist), as well as an opera based on The Tell-Tale Heart by Edgar Allen Poe. Upon graduation from Yale in 1992, he moved to Los Angeles to attend USC's prestigious film scoring program, where he studied with Jerry Goldsmith. Beck was immediately attracted to the creative challenges unique to the marriage of music and picture. A personal recommendation from the legendary Buddy Baker, head of the USC Music Department, led to his first assignment for a Canadian TV series called “White Fang.” Soon thereafter, he was asked to score a new TV series for Joss Whedon, based on the movie “Buffy.” Beck then received the Emmy for Outstanding Music Composition for his work on “Buffy,” after which he decided to leave television and pursue film work. Beck’s work can be heard currently in Davis Guggenheim’s WAITING FOR SUPERMAN and Todd Phillips’ DUE DATE, as well as in the upcoming HANGOVER 2. MARGARET YEN (Music Supervisor) is a Grammy Award-winning Music Supervisor who began her work in the entertainment business at Paramount Pictures in television research. Yen moved on to film development, reading scripts and writing coverage. Yen also founded the band Fleshpot; writing songs, recording records and playing live shows. Yen was able to combine her two interests, film and music, as a music supervisor at Inaudible Productions. Some of Yen's credits include EVERYTHING MUST GO, DUE DATE, THE HANGOVER, THE SEPTEMBER ISSUE, IT MIGHT GET LOUD, JUNO (for which she received a Grammy for Best Soundtrack), THANK YOU FOR SMOKING, ME AND YOU AND EVERYONE WE KNOW, THE PASSION OF THE CHRIST, HELLBOY, LARA CROFT: TOMB RAIDER 1 & 2 and THE GOOD GIRL.
CEDAR RAPIDS: - CREDITS & SYNOPSIS - SONGS -